The European Legacy, Volume 17, Issue 3, Page 383-391, June 2012.

Jeffrey Cox’s new book takes as its guiding thesis the rejection of the widely-held view of Wordsworth (1770-1850) as a poet whose only substantial work was produced from 1798 until about 1808. Thi...

Volume 24, Issue 3-4, May - June 2019, Page 259-263.

Shelley’s Swellfoot the Tyrant has recently begun to gain the concerted attention of critics, who have noted the play’s signature blend of low and high, of ephemeral, late Regency politics with the classic genres of Sophoclean tragedy, Aristophanic comedy, and mock epic. But Austin Warren’s famous and widely accepted definition of mock epic as “not mockery of the epic but elegantly affectionate homage, offered by a writer who finds [the serious epic] irrelevant to his age” does not describe Shelley’s earnest (...) goal of immediate political reform in authoring Swellfoot. Instead, the play evinces Shelley’s unique, conscious reconfiguration of four conventions characteristic of the high, classical epic: the “prosperous breeze”; the epic simile; katabasis or descent into the underworld; and divine intervention. I argue that Shelley’s comic adaptation of these epic conventions reflects his serious aim of helping effect reform through Swellfoot and embodies his absorption of the concept of Shakespeare’s history plays as an experimental hybrid of dramatic forms with epic subjects, gained during his earlier reading of A. W. Schlegel’s Lectures on Dramatic Art and Literature. Though the immediate suppression of Swellfoot prevented its relevance in its own historical moment, it comprises a singular hybrid of Aristophanic satire and Sophoclean tragedy with high epic conventions, while ironically also identifying Shelley as a proponent of the French neoclassical theory of the epic’s consciously didactic purpose propounded by Le Bossu. (shrink)

The publication of Timothy Michael’s British Romanticism and the Critique of Political Reason represents a landmark in the study of British Romantic literature. In 1953, M. H. Abrams published his...

Brayton Polka’s On Poetry and Philosophy: Thinking Metaphorically with Wordsworth and Kant is a capstone book, the fruit of more than half a century of thinking, teaching, and writing about the cen...